PicaJet

Reference Glossary

Compression ratio

The relationship between a file's original size and its compressed size, expressed as a ratio (e.g., 10:1) or a percentage reduction.

Why it matters in a DAM

DAM storage and bandwidth budgets are shaped directly by the compression ratios applied across rendition tiers — a highly compressed thumbnail versus a near-lossless master multiplies cost differently when repeated across a library of millions of assets, which is why most DAM transcoding rules define different target ratios per tier rather than one blanket setting. Because achievable ratio depends heavily on image content (a flat-colour graphic compresses far more than a detailed photograph at the same quality setting), the same setting applied library-wide produces very different real-world file sizes.

A worked example

Thumbnail High ratio (~20:1+) — speed and storage prioritized over fidelity
Web preview Moderate ratio (~10:1) — balance of size and visual quality
Print master Low ratio or lossless — fidelity prioritized above file size

Common mistake

Applying one fixed compression setting to an entire library regardless of content type, which over-compresses detailed photography into visible artifacts while under-compressing simple graphics into needlessly large files.

Compression ratio just compares before and after: a 10 MB file compressed to 1 MB is a 10:1 ratio. What determines the ratio a DAM can safely apply isn’t a single universal number — it’s a function of both the compression method and the image content itself. Busy, high-detail photography resists compression more than flat-colour graphics or illustrations at the same visual-quality target, so two assets processed with identical settings can end up with very different actual ratios.

For that reason, most DAM transcoding pipelines don’t chase a single target ratio — they target a quality level per rendition tier (thumbnail, web preview, print master) and let the resulting ratio vary by asset. Trying to enforce a specific ratio uniformly across a diverse library tends to either degrade detailed photography visibly or leave simple graphics far larger than necessary.

Frequently asked

What is compression ratio?

The relationship between a file's original size and its compressed size, expressed as a ratio (e.g., 10:1) or a percentage reduction — a 10 MB file compressed to 1 MB is a 10:1 ratio.

What determines the compression ratio a DAM can safely apply?

Both the compression method and the image content itself — busy, high-detail photography resists compression more than flat-colour graphics at the same visual-quality target.

Why don't DAM transcoding pipelines chase a single target ratio?

Because two assets processed with identical settings can end up with very different actual ratios; pipelines instead target a quality level per rendition tier and let the resulting ratio vary by asset.

What compression ratio is typical for a thumbnail versus a print master?

A thumbnail typically uses a high ratio, around 20:1 or more, prioritizing speed and storage, while a print master uses a low ratio or stays lossless, prioritizing fidelity above file size.

What's the mistake of applying one fixed compression setting library-wide?

It over-compresses detailed photography into visible artifacts while under-compressing simple graphics into needlessly large files.

How do compression ratios affect DAM storage budgets at scale?

A highly compressed thumbnail versus a near-lossless master multiplies cost very differently when repeated across a library of millions of assets, which is why different rendition tiers get different target ratios.